In September The Irish Writers' Centre will be holding a series of Poetry Workshops hosted by poet Alan Jude Moore. The workshops will take place every Thursday for 10 weeks from the 24th of September. Early booking is advised as workshop places are limited. You can secure your place by paying online at the Irish Writers Centre. Alan read some of his work at the Moloch showcase last year, and appeared in the second issue of the journal. You can read his poems, Alphavile and Drift online.
Alan Jude Moore was born in Dublin. His two collections of poetry, Black State Cars (2004) and Lost Republics (2008), are published by Salmon Poetry. A third collection, Strasbourg, will be published by Salmon in 2010.
His work is widely published in journals and magazines, including Poetry Ireland Review, Cyphers, The Stinging Fly, Poetry Salzburg Review, Iota (UK) and Kestrel (USA). His poetry has also been published in Italian and Russian. He has been short-listed twice for the Hennessy Literary Award for New Irish Writing for his short stories.
He holds a degree in political science from Trinity College Dublin and his first publication was in the TCD literary magazine Icarus. He has since been published across Europe and North America and has given readings in Ireland, Italy, Russia and the USA. In 2007 he was a featured poet at the Riflessidiversi cultural festival in Umbria.
American poet and critic Michael S. Begnal discusses Moore's work in the context of contemporary Irish literature in his essay The Ancients Have Returned Among Us: Polaroid of 21st Century Irish Poetry (Avant-Post, Litteraria Pragensia 2006, ed. Louis Armand). Alan's work has been included in the anthologies Salmon: a Journey in Poetry (Salmon Poetry, 2007) and Jacobs Ladder II (Six Gallery Press, 2003). He lives in Dublin.
"What is necessary is to seek new forms and new language to express new ideas and experience. Moore is doing so, and that is what makes Black State Cars an important and essential collection."
- Michael S. Begnal in Poetry Ireland Review, issue 82.
A political undercurrent is always simmering, and when it is aligned with longing, Moore enacts a kind of magic: “remember to melt down your ring for me; / let all our promises be one last bullet” (Zapad). Paradoxically, it’s not the exoticism of Lost Republics which appeals so much, but its familiarity. An accomplished and intriguing book.
- Paul Perry, The Irish Times, Saturday 28th March 2009
This superb second collection finds Moore’s distinctive voice, established in 2004’s Black State Cars, resonating with a new clarity and confidence. Influenced by the neo-modernist tendency but not necessarily of it, Moore avoids the languid, lyrical tonalities striven for and sometimes reached by the majority of his contemporaries. Yet his work could by no means be described as prosaic. His is a robust, sinewy music that once adjusted to has a strangely entrancing charm.
- Billy Ramsell in The Stinging Fly, Issue 12 / volume two, Spring 2009.
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